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Contemporary Visual Artist
Contexts
1. Paintings:My Mother’s Daughter
- Černis E, Freeman D, Ehlers A. 2020.
My Mother's Daughter is a group of paintings I viewed across during the creative process.
It is a series of five self-portraits that explore the complex relationship between mothers and daughters. The paintings represent different aspects of the artist's relationship with her mother and how this has affected their self-image and mental health. The series focuses on dissociation, capturing the subjective sense of strangeness, unreality, fragmentation and perceptual shifts associated with childhood trauma. The artist began by drawing her own image adorned with angel wings, using Photoleap artificial intelligence to generate hundreds of iterations until an image evoked strong emotions. The detachment from technology is a protective mechanism that replicates the subject of the work. These paintings offer a unique perspective on the human condition, exploring the complexities of identity, relationships and mental health.
The first work, My Mother's Daughter, is a fantastical, surreal image from the artist's childhood that reflects the impact of her complex relationship with her mother. The second work, Angel's Eye, is accompanied by a poem written by her mother, offering the viewer a glimpse into a different life trajectory.
My Mother's Daughter represents a profound personal examination of how the artist's identity as an adult was formed through a complex and destructive mother-daughter relationship. By inviting the audience to participate in the work, the artist hopes to trigger a dialogue about the universality of inherited trauma and the power of ‘mother's daughters’. I resonate deeply with this series of works. I feel that the artist is using the art form of painting to convey the emotional trauma of the mother-daughter relationship that I share with her, and to heal herself. This also makes me realise that the mother-daughter relationship is not only a trauma for women in East Asian cultures, but also a common topic that women around the world need to face on their path of self-growth.
2. Photography:Unhomely
Examining the relationships and living situations of the occupants through the small rituals performed within daily life.
– JASON SMITH, UNHOMELY,
PUBLISHED BY ASIALINK CENTRE, THE UNIVERSITY OF MELBOURNE 1998
Zahalka is very good at using space, objects and people to show abstract concepts of emotions and relationships, and this kind of visualisation of abstract feelings is exactly what I need. And I also resonate with the emotions that the artist shows. Although the artist uses high purity colours in her works, which in a normal artwork would be more likely to show a lively and positive mood and atmosphere, I do feel a sense of unease impression in her works. This may be due to the dinstance between the characters, or the stiffness of their poses, which gives a sense of detachment in the picture. In any case, the arrangement of the images and the presentation of the colours, the layout, and the story are very inspiring to me. Bright colours can also indicate negative emotions, and soft and intimate images can also show detachment.
2. Painting:The Painter
Archive Marlene Dumas. (2024, June 15).
Marlene Dumas: resources and references.
My work is about the mother-daughter relationship, but while my research may seem to be looking at the emotions of both characters, I, as a daughter, create work that is inspired by and thinks more closely to the perspective and role of the daughter. When I saw this artist's work, I thought about the unidirectional nature of my work. I was curious how the artist as a mother expressed her emotions. Is her emotional advocacy similar to my mother's? Or is it completely different? But I have to say that I was shocked when I saw her thinking as a mother. This work gave me a peek into the mind of a mother's role from a perspective I've never had before, and opened up a whole new perspective for my research.
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